Shall I nap or shall I paint?? Yesterday’s question. I’m so glad I decided to paint. My first foray into painting with oils on paper — a new paper specially formulated by Arches to stand up to oil paints, both thin and thick. Click here for a description of the new paper.
Post-show doldrums are a great time to share insights from prior workshops. Several of us ‘7 Palettes’ have been sharing new color mixing techniques this week. Here’s what I passed along from the fabulous Terry Miura workshop my sister Ceci and I attended awhile back.
Here’s a glimpse of Terry’s palette:
Terry Miura’s Limited Palette
And here are insights about painting the figure using a limited earth-tone palette:
Select one of each ‘primary’ color, plus white: yellow ochre; transparent iron oxide red (‘earth red’ in some brands) , ivory black (standing in for blue) and Titanium white.
Using a palette knife, make two ‘puddles’ of paint consisting of a bit of each of the primary colors (in varying proportions, obviously): a light-toned puddle for use in painting light areas of the figure and a dark toned puddle for shadowed areas.
To add variety to the light and shadow areas of the painting, ‘push’ each puddle toward other colors and values by adding relatively more of desired dominant colors and less of the subordinated colors. For example, mix into part of the light puddle a bit more yellow ochre & some black to make a greenish variant.
Make sure that none of the darker values in the light puddle is as dark as the lightest light value in the dark puddle and vice versa. Imagine a line down your palette between the two puddles to keep them strictly separate.
Paint the light areas of the figure using only the light puddle and its variants; and paint the shadowed areas of the figure using only with the dark puddle and its variants.
Assuming you’ve drawn the figure fairly well, you’ve got a fine looking painting!
I’ve done a few iPad images lately — good fun while sitting around at night. I just finished a drawing with the ArtRage pencil tool of a sprinkle of fairy lilies against a background clump of ornamental grasses.
Fairy Lilies, original iPad painting, 2013, 1:1 aspect ratio
And I also had fun doing a more stylized rendition of Pat’s scarecrow standing in our garden, stopping passersby with its cuteness, but doing nothing to deter the critters from eating our veggies. Pat actually built this wooden adjustable man, based on one our son Sam had seen in a magazine and really wanted. Sam enjoyed it for years and then Will inherited it. Pat has now re-clothed it in his old duds for scarecrow duty.
And I did a quick wild fun sketch of the ballpark when Pat and I went to an Oriole’s game in Baltimore last weekend.
The next (huge) task in painting my Dad’s portrait was to meld the many photographic references into a single coherent whole. I needed to get the head, arms, torso orientation all into similar sizes and then try to get them to connect to each other in a reasonable way. If I were a better Photoshop practitioner, this might have been a snap. But my attempts were so lame that I seriously considered resorting to cut and paste.
Here are a few of my horrible Photoshop mashups, along with my much more useful iPad sketches.
stacking the pieces into a rough order
stripping out the extraneous stuff
stacking the consolidated torso over the table pose
first try at iPad version
the final one of several efforts to unify the elements into a composition